New York, NY 10110
The prints on view in the Grace Building span the full range of Thomas Schütte’s graphic output from the 1990s to the present. The wonderfully craggy faces of the Alte Freunde series–based on small clay sculptures which Schütte made in the early 1990s–evoke the nineteenth century caricatures of Honoré Daumier.
About Thomas Schütte
Thomas Schütte (b. 1954, Oldenburg, Germany) is among the most important contemporary artists of his generation. He has been the subject of numerous solo museum exhibitions, including at the Monnaie de Paris (2019); Kunsthaus Bregenz (2019); Moderna Museet, Stockholm (2016); Foundation Beyeler, Basel (2014); Serpentine Gallery, London (2012); Reina Sofa, Madrid (2010); and Dia Art Foundation, New York (1999.) In 2005, he was awarded the Golden Lion at the Venice Biennale, and in 2020/2021 he will be the subject of a retrospective at the Museum of Modern Art, New York.
Schütte’s work is uncategorizable in a traditional sense, as he produces sculpture, drawing, prints, ceramics, and architecture across a vast range of materials and scales, from small aluminum figures that are only a few centimeters tall to monumental steel, bronze and glass sculptures (such as the Model for a Hotel which he built in 2007 in London’s Trafalgar Square.)
With pathos and an ingenious sense of humor, Schütte often re-visits many of the motifs of classical sculpture, such as female nudes, standings figures, and monumental memorial statues. The works chosen for display in the Grace Building are all portraits, and they exemplify his brilliant and diverse approaches to the human figure.
Alte Freunde, 2010
Suite of 10 line etchings with open bite
Each 31 x 20-1/2 inches